When I was a teenager, I found a recording in my parent’s LP collection called Serenade Op. 24 For Septet And Baritone Voice. Composed by Arnold Schönberg, it’s an early example of the techniques he developed to expand music and, although it takes some getting used to, it’s still somewhat listenable compared to Schönberg’s later pieces.
Posts Tagged ‘ableton’
My recent set of ten compositions titled Voce Gyre uses existing recordings to build constantly shifting fragmented patterns, which are then layered into strongly syncopated rhythm tracks. By creating a sound cluster using several copies of a basic sampler, recorded material can be imported and cut up using a randomized sample start setting controlled by a low frequency oscillator.
Recently, I completed a course called Introduction to Ableton Live taught by Erin Barra and offered at no cost by the massive open online course (MOOC) provider, Coursera. I wasn’t sure what to expect of the course because I had no familiarity with Ableton and assumed it was just another sequencer program. Boy, was I wrong.