This month we’re taking a look inside the engine, where I will explain my setup and how I go about creating my music. Indeed, the computer software is complex and requires some focus, but I’ll try to make it as simple as possible. Click images for legible enlargements.
What were the early 1990’s like? For many they were a celebration of the end of excessive hairstyles and cocaine abuse, the continuing War on Drugs and the end of George H. Bush’s presidency, ushering in an era of prosperity with a succeeding commander-in-chief who stabilized the U.S. economy to a point where most people were able to get ahead. That is, until the afore-mentioned leader decided to get a little head. But that’s not anything to dwell on unless your first name happens to be Monica.
This month we’re taking a look at Strobe 2, a virtual instrument inspired by the early 1980’s monophonic synthesizers such as the Roland SH-101 or Juno-6. Due to the popularity of vintage synthesizers in pop and dance music, the company FXPansion has created a number of fairly basic sound modules for use in digital audio workstations that emulate the early synthesizers and drum machines quite nicely.
Steve Tidebeck has been very busy, for a person who doesn’t exist. As part of an experiment, he decided to see what would happen if he grabbed some vocals and then wrote songs around them. The usual way most musicians compose songs is to create a chord progression, then add bass, drums, and additional parts to get the sound and mood established. The vocals are usually added after.